Thanks in building this temple in its current form on the east bank of the Nile on one axis from north to south to King Amenhotep III of the kings of the eighteenth dynasty, then added him King Ramses II of the kings of the Nineteenth Dynasty chief and his successor, a spacious courtyard with a masters Papyrus and potentially the first nucleus of this temple has developed in the Middle Kingdom.
Is Amenhotep III establishing this temple to the Theban Triad; most likely for two reasons: first to confirm the proportion of the god Amun himself; as the eligibility to the throne were not clear, according to Egyptian traditions that states that Pharaoh should be son of the king and breed ownership; either if strain is pure Victsp eligibility to the throne to marry the eldest daughter of the king (the former). did not apply one conditions on Amenhotep III taller "death - or - Oya" were not Egyptian but was Lady Mitanih girl "Artatama" King of the State of Mitanni was not his wife "T" strain of ownership it was Our Lady of the general public. That thought Amenhotep that confirmed his legitimacy to the throne prove lineage to the god Amun himself like مافعلت Hatshepsut before; Fahadah thinking "after consulting the priests of Amon" to registration of birth sacred walls of the room famous temple known Chamber of birth and the result of this that Amenhotep III is known that he is not a descendant of ownership Egypt became the best of the former kings of Egypt who carried royal blood in their veins Anakahlonh became the son of the god Amun-Ra directly; crucifixion and this myth and this theory confirmed Amenhotep III eligibility in the throne. The second thing is to satisfy the priests of Amon order Atqubloh king legitimate to Egypt, despite the lack of clarity eligibility in the throne He could not priests of Amun refused ratios Amenhotep III to the god Amun; has promised the establishment of a large temple to announce the affair Amon great and this accept priests new king percentage Divine did not reject people who did not suspect anything acceptable to the priests.
God Amun was visiting his wife gods die every year flies from his temple at Karnak to Luxor Temple that made the house "Karnak" Palace "Amon" official "House Luxor" private home lives where to Azauge. But to Aantql to that house in the official motorcade, except in special date from the days of the year. He later married him in the month of folk "door" named after the name of the house itself. They did not choose for the throne of Amun that date Sorry not spur of the moment, but they have chosen after deep thinking driven by the love of life and hope in enjoy Boukerha. In this month be the flood season, a season of fertility and blessing it instills river land Egypt charge the this good Alaziem consulting the minimum sustenance Well live it the sons of life in this valley; If people make marriage Lord "Amon" in this month from the days of the year, it means that they but Kanu seeking him and themselves good and the pond in the goodness and blessings later and to hope his fertile in his marriage and to bless them with fertile Yagmurhm His righteousness and mercy. Color of the human intellect driven by love to stay and security of life and seek doors livelihood from their doors. Thus thought Egyptians married Lord "Amon" then they are now celebrating the anniversary of the marriage if it came river flood season each year.
Fired Egyptians on this temple name "Father docked" any "ABT" South differed specialists in meaning of the word "Father" and sees mostly to talk to him, "Father," which means "harem" and "Father docked" means harem South because procession god holy transmitted accidentally Nile Temple of Karnak to Luxor Temple any of the north to the south and this is believed specialists that he was not in the period spent "Amon" in Luxor, which was eleven days in the eighteenth dynasty and reached twenty-three days in the Nineteenth Dynasty and Azdadt to twenty-seven days in family and he was twenty are sacred marriage (or celebrate the holy matrimony) between the god Amun and the gods die, this is seen as the Temple of Luxor as "Wedding Palace" is where every year commemoration of this holy wedding.
Is Imhotep third engineer "Amenhotep son Ahbu" constructs a set of buildings started most likely from the south, where he was held Temple Central State Bakds Holies The primary objective of the establishment of any temple is to find the right place for a statue of God first and then the establishment of a warehouse that around required, and terminated Corridor lavish which consists of two rows of Captains which ends with crowns in the form of a flower papyrus blooming did not expire in this corridor great in his life when he came his son Amenhotep IV, "Akhenaten" on the throne of the country left Amon and worship of the god furnace and even track name Amun and Mahah of inscriptions father in Temple then completed Tutankhamun and later Horemheb this great corridor.
Ordered Ramses II in the Nineteenth Dynasty architect "buck - that - Khonsu" adding large patio open with masters and the establishment of said large and six statues of King Ramses II and Mslten him as established Christians in one of its parts South Church; and Muslims built in the reign of the Fatimid mosque them a mosque Sidi Joseph Abe pilgrims we see on the left of the home directly in the courtyard of Ramses II.
It was launched Arab word "Luxor" on this temple, when viewed this constructors huge resemble palaces have evidence the existence of the name Palace in the names of many of the temples, which dates back to the reign of Ptolemy or Romans in Egypt such as Qasr Ibrim in Nubia and the Palace of girls in northwest Fayoum The old palace in Habu and Karun Palace and the whole Arab names launched by the Arabs to these temples when they witnessed.
Description of the temple:
There on the front of the edifice also four vertical gaps Fjutin Each suite has been allocated in order to be placed where poles flags and there are also the highest edifice four slots allocated to prove where these spars. Watch on both sides of the entrance from the outside views represent King Ramses II in his relations with different gods and goddesses; remind them Theban Triad sacred addition to the gods Lamont. Either on my shoulder entrance from the inside there additions due to the Fifth Dynasty twenty represent King Habaca in relation to different every amoun Lamont and Montu and Hathor.
But behind the left wing of the East said there are beautiful views of many different of King Ramses II and his wife in the presence of gods and goddesses as well as two involve the celebration of the god Min.
Reach the entrance of the edifice to the courtyard spacious (currently 57 meters tall and 51 meters), which set up Ramses II and surrounded by qualities which underpin the roof on each of two rows of masters except the building built by Hatshepsut and Tuthmosis III, which is located on the right of the entrance directly have formed these masters (74 Aston ) in the form of papyrus, a perception already deteriorating art of architecture in the Nineteenth Dynasty lost masters Ramses II all similarities original form imposed it represents, especially if we compare between them and the masters of Amenhotep III at the same temple and the masters of granite beautiful graceful erected in the reign of Hatshepsut and Tuthmosis The third and before the three chapels of Holy Trinity in the northwestern part of the courtyard of Ramses II himself. The masters of the front in the southern half of this open courtyard statues of King Ramses II Maimthelh standing and them Maimthelh sitting. We think on both sides of the entrance connector into the corridor great set up by Amenhotep III statues mega represent Ramses II seated on a throne, which is adorned with scenes representing divine Nile and two emphasize unity among sided by linking girls papyrus symbol north and the lotus plant symbol south and featuring statues of Ramses II, located in the eastern side of yard beauty and magnificence. Also distinguishes each; whether Maimthelh sitting or standing and the presence of a small-sized Queen Nefertari engraved or carved statue near one statue Saqay. Was launched on this patio name "Temple Ramsso United Forever."
Adorn the walls of the courtyard spacious different views represent submissions holy beside views represent foreign peoples conquered most important scenes that should be seen in the courtyard scene on the wall southwestern and theorist represents interface Luxor Temple Full any edifice Pettmathilh six informed and Almtlten; and to the right (the viewer) see procession led byprinces of the sons of Ramses II followed Sacrifices obese decorated cattle will be sacrificed - most likely as an offering.
There in the northwest corner of the courtyard of Ramses II chapels three built by all of Hatshepsut and Tuthmosis III, though some believe that Ramses II who recorded his name on it is who erected stones taken from booths to Hatshepsut and Tuthmosis III. Advancing these chapels four masters of graceful form package legs of red granite; either crowns this masters are stalks papyrus was pulling together and noted the presence of Rabat with windings five down crown and can call it idiomatically crowns papyrus Alambram distinct from crowns papyrus blooming. has allocated cabin Central Amun Ra and western his gods death and eastern son of the god Khonsu the moon god. and characterized each compartment of the chapels of the three views represent launch incense and cleansing and offer fat and Eucharist to compound the sacrosanct god and the gods owner cabin in addition to the corresponding different religious. either collector Abe pilgrims occupies the northeastern part of the yard.
Leila courtyard of Ramses II remnants edifice which was representing entrance to the temple during the reign of King Amenhotep III then get to the aisle lavish which consists of two rows of tycoons papyrus great; in each row seven masters ends with crowns in the form of a flower papyrus Mufthh rising up Alaston to 16 meters and still because there are some huge blocks that was carrying the roof of this corridor.
Recorded on Jaddaran This corridor also celebrations Holiday "Father" or "Aubet" which returns most likely to the reign of King Tutankhamun It depicts the annual celebrations to be held in the Nile when he visits Amon Ra god Karnak Temple of Luxor and the motorcade consists of boats Holy Trinity compound Amon huge distinguishes the forefront and rear vertical ram Representative of the god Amun either composite death Vizinha head lady over each Zina head in the form of an eagle Perhaps the reason for this is that the word of death in the ancient Egyptian language written branded Eagle and third component is a compound son Khonsu my head Falcon was accompanied these boats priests, dancers and musicians, soldiers and flag bearers and various classes of people.
Mnazeralmkb start from the far north of the western wall and then continue south until the end and then continue thereafter from the far south of the eastern wall north until the end but that most of the scenes may hit damage.
The views can be traced procession on the western wall of the north to the south as follows:
1 - proprietary offerings in front of Holy Trinity boats in the Temple of Amon at Karnak.
2 - Download boats machine on the shoulders of the priests of Karnak to the Nile River.
3 - sail boats on the Nile page to Luxor Temple in a religious ceremony and a large public.
4 - Inland Barge Procession (as it anchored in the Nile) to the Luxor Temple.
5 - scenes of boats and holy offerings and offerings inside the Luxor Temple.
Omaaly Ajaddar eastern corresponding Ventaba of the South to the North as follows:
1 - proprietary offerings in front of Holy Trinity boats in the Temple of Luxor.
2 - Download gods boats on the shoulders of the priests of the Temple of Luxor to the Nile.
3 - sail boats on the Nile to return to Karnak in a religious ceremony and a large public.
4 - Inland Barge Procession (as it anchored in the Nile to the Temple of Amun at Karnak.
5 - proprietary offerings and offerings in front of the holy vessels in Temple of Amon at Karnak.
Horemheb was able to intelligently and that culminates in a good festival, "Opet." As well as scoring each of Seti I and Ramses II and Second City names on the walls of this great corridor. Now we come to the large courtyard, built by Amenhotep III display 51 meters and a length of 45 meters and was dedicated to religious ceremonies involving groups of people different was erected in its aspects the three eastern and western and southern two rows of tycoons, which formed on the body packs legs papyrus Alambram and total of 64 Aston Unfortunately that Stones ceiling, which was based upon the thresholds based on Allosatin have fallen mostly so we can not see the bright light and shadow based for which the yard is designed this way dark in order to reveal either the courtyard views has smashed most of them. And at the beginning of 1989, was found on a group of statues representing the kings and lords, and so on during excavations in the southwestern part of the courtyard where dug a hole in the yard to find out why relegating some columns and thresholds, which was threatening the temple and visitors. The excavations resulted in the discovery of an underground pit, they contain 26 statues representing kings and queens and lords in a good state of preservation. And most important of nine pieces from this group are now displayed at the Museum of Luxor.
Behind yard Ctflat find a masters include the four rows of tycoons, which formed on the body packs legs papyrus Alambram each row by four masters and can be considered lounge manifested God and sunshine where reflected (or shine) them (statue) god when out of the Holy of Holies. Did not remain Supreme time a few scenes can be traced from the lower part of the eastern and southern wall of this hall where we see views of various regions of Egypt represented the Nile god bearer of gifts and offerings; These advances show the products of the regions. As seen on the eastern wall stock represents Amenhotep III in front of the gods of Thebes, has scored all of Seti I and Ramses II and Ramses III and Ramses IV, Ramses VI names on some of the masters and the walls of this hall.
After that we get from the entrance, who served in the cavity to the lounge with four masters were dedicated to offering table and advances holy as the inscription on the walls of more than forty scene represents King Amenhotep III and offerings and donations holy offered to Amun, among them a list of offerings provided by the King to the God of the temple.
As well as four calves provided by Amon and see them on the north wall to the left of the home directly either on the eastern wall, there are many scenes T represents the king called incense and offer pots and boxes colored clothing and other advances to Amun. We find in the western wall of the hall offering table entrance connects to a number of cabins as we find another entrance in the center of the walls the South and up to chamber boat sacred to Amon, a cabin built by Amnhontb third on the basis that be at the center straight with the entrance of the temple and the cabin boat sacred here surrounded by a number of Rooms, which may have been used as warehouses for keeping things necessary for the service daily in the temple of containers and censers and oils and perfumes, clothes and the like, has been portrayed on the walls of this cabin different views which represents King Amenhotep III in its relations with the gods and goddesses, though mostly on the east wall represents King is based Ptkdmat different flowers and incense and four calves to Amon.
He was carrying a roof this room four masters, removed when he wanted to Alexander the Great (in 332 BC). That resides compartment sacred boat sacrosanct god Amun Voqamha the center of this room built by Amenhotep III, a cabin now known cabin Alexander has pictures on the walls, whether external or internal Alexander different in its relations with the Theban Triad Perhaps the most important foreign landscapes landscape which represents the various stages of entering the temple and this should be noted the vast difference between paper art and beauty in the reign of Amenhotep III and exaggerated and after about beauty in the era of Alexander.
We find in the eastern wall of the room compound sacred entrance connects to the chamber side with three masters, the entrance in the wall north connects to the Chamber of another three-masters have fame historical a room known idiomatically name delivery room has been known by that name because it of views represent the birth of Amenhotep Third divine a registry that wanted him Amenhotep III to confirm lineage in which the god Amun himself as we know that his father Thutmose IV had married a princess Mitanih is "death or Oya" girl king of Mitanni "Artatama" They also know Princess foreign not being in the veins of blood Egyptian monarchy and the king wanted to confirm its legitimacy to the throne by demonstrating attributed to the god Amun himself like it did Queen Hatshepsut by him and we must not forget that the delivery room was one of the fundamental reasons which called for the entire construction of the Temple of Luxor.
Represent us Almtazer engraved on the west wall three rows represent the holy birth with the help of the gods and goddesses either landscape on the southern wall represents the ascension of Amenhotep III to the throne. Anyway Breathtaking mostly shattered and lost large parts Mnhowlal of the most important landscapes Maimthel god Thoth leads Amun to the chamber of the queen to replace Thutmose IV and view your god Amun and the King "death or Oya" and are sitting on a bed afford Alelhtan trod and Nate and resembles the sky of Egypt, and finally view god Khnum which makes the wheel Fakhrany two children Amenhotep and a companion (Ka).
We get from the entrance on the south wall of the cabin boat to the lounge with ten Astona divided into two rows which according to them of views may have been dedicated to the table Eucharist own statue God in the Holy of Holies, which was staying in the room Central immediately followed by a chamber by four masters divided into two rows The scenes on the walls Amenhotep III in his relations with various gods beside landscapes which are provided by the boats to them. There is on both sides of the statue room set of cabins was dedicated most likely to ritual requirements statue of the god. The landscapes of the western wall Foreign and eastern wall of the temple has such Asian wars of King Ramses II. The length of the Luxor Temple now after additions of Ramses II 255.9 meters and was almost 190 meters in the reign of Amenhotep III and a 54.4 meters in maximum width.
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